paul-jaisini-gleitzeit:

Sinphony
1) transformation of the musician’s genders
2) The nude vulnerability of the musicians‘ bodies
3) The composition is ignited by the conductor’s spread hands. His right hand embraces a nude woman
4) a nude woman with black hair and red mouth. The conductor’s black figure seems to carry her nude torso.
5)  A central cello player is a naked blond with spread legs. Her right hand holds a bow that is pointed straight between her legs. And, her left hand holds the cello handle that reminds a long penis.
6)To the right from the central figure of cello player, there is a violinist in a black attire. Even though he is a man, his lower body is naked and has the female sexual features.
7) The absolute black color at the upper right corner counteracts with the flesh color of bodies. It creates a gap of macrocosm in the picture’s bursting color composition.
 

paul-jaisini-gleitzeit:

Drunken Santa

1) The warm color of purple supports the hot color of Santa’s figure and an exotic fish above Santa. 
2) The cold, arctic blue color… cold cerulean, cobalt and ultramarine.
3) Santa, to possess the vivacious color of fire.
4) Santa drinks
5 )A shark, a ghostly image, a profile of another prototypical drunk who is not accidentally situated in a horizontal position. 
6) An amalgam of the several female figures that consists of a woman in stockings, a nun, a big-breasted silhouette that create a shadow between.
7) A heat can be sensed around the hot colored Santa who has lost his beard and is holding a glass of red wine. He shows his thumb 
8) colors of the work are balanced by a virtuoso composition of a cubist character. the warm and cold colors
9) composition of figuration superimposed to abstraction. 
10)

paul-jaisini-gleitzeit:

PINOCCHIO
1) Most elements are open to variety of interpretations, though a presence of devil in Pinocchio brings us closer to the original concern.
2)  a remarkably dramatic evocation of a turmoil at the party table.
3)  a birth of a black child with a knife.
4) His white mother is covered with table cum-stained cloth.
5) The orgy itself, the table and under the table seem like a replay of a crime scene.
6) The giving birth mother…it seems like some distant laughter echoed evilly in her attempt to give birth to that violent child with the knife that cannot yet kill but targets surrounding world with it’s pirate like curve. 
7) TERM flexireality
8) the heroes are freed from the burden of the gendered flesh being puppets at the same table with people and creatures of superpower or animals.
9) The ruler is introduced by the liar Pinocchio.
10)The birds symbolize politicians 
11) the partitions of the bodies by the table cloth, which covers and opens bodies portions
12)the somber, grisaille color of the painting.
13) It seems that the table cloth demarcates two realities
14) The ‘table’ composition in Pinocchio, Hot Dog Party, Barbie Q,
15) enclosed composition of a secluded line 

paul-jaisini-gleitzeit:

Freedom of THought

1) The color of this painting is an agent of transformation that makes the prison world illusive
2)the artist himself, laying on a plank bed of the illusory prison cell.
3) images of wicked criminals and guards
4) the convicts portrayed with humor and irony
5) Two crooks are playing cards. 
6)One has an Arabic-looking face with a purple nose.
7) His partner’s face, in some parts, is a brick packing and his eye is shielded with bars.
8) A brick background is also found at the middle part of the painting
9)A rat and an angry dog fight for a rotten fish. 
10) At the upper right corner the weightless hazy scene of rape 
11) Paul Jaisini portrays calm in a condition of concentrated thinking or in a deep sleep.
12) The painting seems to be illusory owing to its amazing color and
13) its references to the old-fashioned lockup system.
14)A female guard is peeking at a well-built imprisoned man.
15)